TVE

· Una crònica i un reportatge llarg des d’Estònia, quan aquest país encara formava part de la Unió Soviètica


· Diverses cròniques des de Moscou en ocasió de les eleccions al Congrès dels Diputats del Poble, l’any 1989


· Diverses cròniques des de Pequín, en ocasió de la cimera sino-soviètica i la posterior revolta dels estudiants de Tiananmen.


· Un reportatge llarg des dels Estats Units, en ocasió de les eleccions presidencials de l’any 1988, entre George Bush i Michael Dukakis.


· Diverses cròniques des de Sud-àfrica, en ocasió de les darreres eleccions del règim racista i les matances que van obrir pas a la fi de l’apartheid.


· Diversos reportatges des de Berlín, en ocasió de la caiguda del mur.


· Altres cròniques.

Com faig els editorials de VilaWeb

Avui una persona m’ha preguntat com m’eixien els editorials, com els faig. Li ho he explicat i ha quedat molt sorpresa, cosa que m’ha sorprés encara més a mi. He pensat, per això, que potser algun lector tindria interés en què contara com funciona eixa part del meu dia a dia que és escriure l’editorial de VilaWeb.

Abans de detallar la rutina, però, crec que hauria d’aclarir una cosa, que és que en realitat cada editorial són molts editorials. No recorde, en aquest sentit, la darrera vegada en la qual en vaig escriure un de sol. Normalment, cada dia faig dues o tres versions del text abans de plantejar-me fer-lo públic. I en casos excepcionals pot ser de bojos. L’editorial de l’endemà de les eleccions catalanes va costar set articles a presentar-se. Vull dir que el que vaig fer públic era en realitat el seté text que escrivia –i en aquest cas per la campana, ja que el vaig acabar quan quedaven deu minuts per les set del matí.

Les versions, els canvis, serveixen per a aclarir-me jo mateix el que pense. Normalment, el text final és bàsicament un dels diversos que he escrit però amb afegits dels altres. Això m’obliga a repassar diverses vegades els enllaços, la forma de relligar el debat. I supose que això crea un estil. Els punts i seguit, per exemple. D’alguna manera això que tinc al davant és un puzle i resulta tot un repte que en ser llegit quede ben lligat. I és cert: llisc en veu alta el text a veure com sona. És una vella argúcia d’estudiant que m’ajuda a fixar-me en els signes de puntuació, que per mi són una obsessió, fruit sens dubte de la meua admiració per Joan Fuster. Ningú en la cultura catalana ha puntuat mai tan bé com ell…

L’altra obsessió que tinc és que l’inici i el final siguen perfectes. No vull dir que el que hi ha pel mig siga negligible, en absolut. Però el tall estan al principi i el final. I per això puc polir-los tantes vegades com siga necessari.

El títol ‘editorial’, en aquest sentit, pot cridar a algun engany. En la tradició d’aquest país un editorial és una opinió, és un text més o menys lliure sobre qualsevol cosa i no crec que aquest siga el cas dels meus textos. Més aviat són anàlisis el que jo faig. Tracte de desenvolupar una tesi, com si diguérem portant de la maneta el lector. No tant amb la intenció que estiga d’acord amb mi com de què faça ell el seu propi camí lògic.

En aquest context el recurs a aquella dada, aquella frase d’algú o aquella anècdota que posa llum al tema que tracte és molt important. I en això he de dir que sóc un maniàtic i sempre intente la fidelitat màxima a l’original. M’obsessiona, per exemple, trobar el llibre aquell on recorde que hi ha la dada. Cosa que m’obliga constantment a remenar la biblioteca de casa o la de VilaWeb, a voltes de forma inútil. Sobretot perquè la de casa té una notable tendència al caos i els volums s’acumulen sense que jo tinga mai temps d’endreçar-los. Sovint em frustra molt no descobrir a temps aquesta dada i reconec que hi ha hagut vegades que dies després d’escriure l’editorial l’obsessió em pot i encara l’estic cercant. (Petit secret: hi ha editorials que els he canviat dies després, quan ja no els llegirà pràcticament ningú, per incloure aquestes petites dades que per mi són vitals).

No m’agrada tanmateix abusar del recurs a la citació. Entenc que per al lector pot ser pesat i que a mi em faria aparéixer com un pedant si no em controle. Així que sovint em reprimisc les ganes de remarcar això i allò que ha dit aquest o aquell. Hi ha, però, una raó secundària en aquest tema. Crec que al final no cal que m’amague rere ningú per a dir el que pense i que com més clara siga la meua veu més honrat serà el meu discurs. Així que procure assumir la direcció de l’argumentari de forma nítida. El que dic és el que pense jo.

Ho tinc de lema al Twitter i es veu que hi ha gent que li fa gràcia: ‘sempre dic el que pense i n’assumisc les conseqüències’. I això és així. No recorde mai haver dit una cosa que no la pensava o la creia. Mai. Una altra qüestió és que jo estiga encertat en l’anàlisi i acabe passant o no el que opine. Això no obstant el que puc assegurar del cert és que, efectivament sempre dic el que pense. En això no transigiré mai, especialment quan he d’escriure editorials dolorosos o que em costa sang i suor de fer. Que n’hi ha.

Aquests són els editorials dels dies que pense: ‘avui faràs patir als lectors’. I bon un exemple podria ser el d’aquesta setmana dient que els independentistes no tenim la majoria en el parlament de Catalunya. Són textos que voldria no haver d’escriure, però que no tinc més remei que escriure. Per què? Doncs per què això és el que pense. Hi ha gent que alguna vegada m’ha preguntat si mai em plantege dir el que convé o si alguna vegada crec que convé dir una cosa i per això la dic. I la meua resposta sempre és que no. No entenc de conveniències.

Això em provoca algun problema, és clar. Els caps de premsa dels polítics són francament insistents quan una cosa no els agrada i tinc la sensació a voltes que sóc jo que no els agrade. La meua manera de fer. Així i tot, entenem-nos per tal que quede clar: a mi ningú no m’ha collat mai ni m’han pressionat. Jo aquesta cosa de les pressions no l’he notat mai en la meua vida. Que hi ha gent que s’enfada amb tu, sí. Tanmateix no m’he sentit mai pressionat i no puc dir que mai ningú m’haja pressionat directament perquè diga i deixe de dir res perquè això no ha passat. VilaWeb en aquest sentit és un cas bastant original, certament. Després de vint anys la cosa que em fa més feliç és constatar que hem aconseguit fer un diari ple de llibertat on crec que cap dels periodistes que hi treballen o escriuen tenen mai, tenim mai, la pressió del políticament correcte i encara menys de la censura.

Ara bé d’enfadar-se s’enfaden i molt. Però jo això ho assumisc amb molta normalitat. En aquest món cadascú ha de fer la seua feina i entenc que la d’ells és enfadar-se i fer-m’ho veure si la meua posició els incomoda. De fet, a mi em resulten sempre interessants les seues opinions i intente netejar la palla del gra. Jo pense que sempre que algú et fa una crítica és possible trobar en aquesta crítica una millora per a la teua posició i això em resulta estimulant. Reconec, tanmateix, que els molt cridaners o aquests que es fan els ofesos més enllà del que és raonable em resulten personatges poc interessants, amb els quals de vegades em fa molt mandra parlar. Procure, així i tot, empassar-m’ho, ni que siga per la responsabilitat institucional que com a director tinc.

I ara, per acabar, la rutina. Fer l’editorial per a mi és un procés permanent. D’ençà que m’alce al matí ja estic pensant en quin seria el tema adequat per l’endemà, encara que com és fàcil de suposar és molt rar que un tema de primera hora del matí acabe sent l’editorial.

Sovint les primeres versions les escric després de dinar. Des de fa mesos els subscriptors reben cada dia cap allà les vuit de la vesprada l’editorial de l’endemà per a poder fer els comentaris que s’adjunten al mateix. Això m’obliga, per tant, a tancar una primera versió publicable a tot estirar a eixa hora. Que no sol ser la definitiva. Perquè els comentaris dels lectors els llisc jo mateix i els entre a l’article original, normalment a les dotze de la nit, des de casa. I quan ho faig tinc una tendència irrefrenable a retocar encara algun detall, a partir del que ells diuen. Retoc, però, que no pot ser substancial perquè si no estaria alterant precisament el pacte amb ells i la raó de ser del seu comentari.

Aquesta funció nova de compartir l’editorial amb els subscriptors he de dir que m’està fent especialment feliç. Normalment, els seus comentaris contenen sempre aportacions molt interessants que em fan reflexionar a mi i que espere que facen també reflexionar als lectors.

I un últim detall, que a la gent li crida molt l’atenció: no me’n recorde del que he escrit. El ritme de fer l’editorial és tan trepidant i tens que em costa molt saber què vaig dir el dilluns, fa dues setmanes o fa sis mesos. Ho lamente però és així. I entenc que sorprenga gent que em ve a comentar un editorial concret que li va cridar l’atenció en un moment determinat, però jo sóc incapaç de recordar-los. Els reconec de seguida, això sí, tanmateix mantenir dins el meu cap la literalitat del que vaig dir sobre açò o allò per mi és un impossible.

Havia dit que aquest era l’últim detall, però em queda una cosa a dir encara, aquesta sí final. Crec que és un autèntic privilegi poder estar escrivint aquest editorial cada dia i saber que tants de vosaltres us feu amb ell el café del matí –o almenys això és el que molta gent m’explica. Personalment, ho visc com un regal que la vida m’ha donat i, per tant, no només no em cansa aquesta feina que he descrit avui en els seus detalls sinó que és un estímul formidable per a treballar. Cada dia.

English biography

Vicent Partal i Montesinos (Bétera, Camp de Túria, November 28, 1960) is the director of VilaWeb. He has also worked at El TempsEl PuntDiari de BarcelonaCatalunya RàdioLa Vanguardia, and TVE, among others. He is considered one of the pioneers of the Internet in the Catalan Countries.

Vicent Partal studied to become a teacher at the University of Valencia and worked at Escola Gavina.

Co-founder of the weekly magazine El Temps in 1983, he was part of the newsrooms of Diari de Barcelona and TVE (Spanish public TV), where he specialized in international politics. As a reporter and correspondent, Partal covered global events, including the fall of the Berlin Wall, the USSR coup d’état, the independence of the Baltic countries, the Balkan War, the student uprising in Beijing, the end of apartheid in South Africa, the beginning of Palestinian autonomy, the conflict in Kurdistan, and several elections in the United States.

In 1994, he created the first Internet news service in the Catalan Countries, El Temps Online. In 1995, together with Assumpció Maresma, then the director of the newspaper, he founded the first electronic newspaper in Catalan, VilaWeb. That same year, he created the program L’Internauta on Catalunya Ràdio with Jordi Vendrell.

Currently, he is the director of the electronic newspaper VilaWeb.

He has published several books, including Catalunya en l’estratègia militar d’Occident (1987), Els nacionalistes a l’URSS (1988), La revolta nacionalista a l’URSS (1991), Atles de l’Europa futura (1991), Catalunya 3.0 (2001), 11-M: El periodisme en crisi (2004, with Martxelo Otamendi), and Periodisme quàntic. In June 2009, he published Llibreta de Pequín, the first commercial e-book in Catalan without a printed edition.

He has also published three key books on the evolution of the Catalan pro-independence movement: A un pam de la independència (2013), Desclassificat 9-N (2015), and Nou Homenatge a Catalunya (2017).

In 2022, he published the book Fronteres (Borders), an essay on the influence of borders on global politics, culture, and society, which also includes 35 short narratives about particularly significant borders.

Regarding television, he is the author of the series Hem fet el sud and the program Una llengua que camina, a co-production between VilaWeb and TVC about Escola Valenciana. He was also the scriptwriter of the controversial TVE program Camaleó, which criticized news media by staging a fake coup d’état in the Soviet Union.

He has received several awards, including the City of Barcelona Award for Journalism (1999) and the National Internet Award (2000). In 2004, he was awarded the Nadal Batle i Nicolau Prize for New Information Technologies. That same year, VilaWeb received the National Journalism Award “for the portal and its creators, Vicent Partal and Assumpció Maresma, for the foundational nature of their work in the field of digital journalism, which combines rigor, immediacy, analysis, and diversity.” In 2008, he received the Miquelet d’Honor, and in 2015, the Valencian of the Year Award, granted by the Huguet Foundation.

Between 2016 and 2024, he served as the president of the Board of Directors of the European Journalism Centre, based in Maastricht, a continent-wide professional organization that promotes quality journalism in Europe and helps media adapt to the great technological and cultural changes brought about by digitalization.

He is also an academic member of the Institut d’Estudis Catalans, the Catalan Institute of Sciences and Humanities.

What can you find in this website In English

(This website is in Catalan, but some content is also available in English.)


· You can read my bio in English here


· You can watch some of my lectures given in English here.


· Here you will find some of my articles in English:

-“If you don’t have a sense of national identity, you can’t have a democracy”. An interview with Francis Fukuyama.

-“We weren’t aggressive, we defended our country”. An interview with Elena Vavilova, the Russian spy who deceived the US for twenty-five years.

-One hundred hours chasing Younes, The pursuit of the terrorists behind the attacks in Barcelona and Cambrils in 2017. An almost year-long investigation.

The Spanish eccentricity. Why the authoritarian temptation is so strong in Spain.

From the rooftops of Teheran to the bridge over the Bosphorus. Analysis of the surprising coup in 2016 Turkey and the consequences it might have.

-‘My home is on fire and you expect me to just snap a few pictures and write a column?’ An interview with Can Dündar

The shame of Spanish journalism. ‘‘A society willing to be distracted by a dishonoured press is only heading towards slavery’’

We’re nations between borders. An interview with musician Alan Stivell.

-“Russia is not just at war with Ukraine, but with Europe” An interview with Ukranian philosopher Volodymyr Yermolenko:

-“The left is proposing a selfish society and that is fantastic to neo-liberals”. An interview with French thinker and geographer Christophe Guilluy

Timothy W. Waters: “Whether or not there’s a right to decide on independence, the answer shouldn’t be state coercion” Interview with “Boxing Pandora” author and director of the Center for Constitutional Democracy at Indiana University

Edna Adan Ismail: “In Somaliland, we are used to being left alone.” Interview with the president of the UNPO and former Minister of Foreign Affairs of Somaliland

-“We Uyghurs can’t sleep a night at ease because you never know what will happen next”. An interview with Dolkun Isa, the president of the World Uyghur Congress

Who has the real power in Spain? Spain’s big corporations are showing renewed faith in the Socialist Party.

A little Wolin to understand where Catalonia stands and what constitutes a democracy.

Who are the young protestors of the Catalan revolt?

The Spanish railway incline.  Taking the Catalan issue to the courts would result in the loss of control over Spain’s train and, sooner or later, it would end in a crash.

Junts-PSOE: More of a Peace Agreement Than an Investiture Deal, but Full of Risks and Ambiguities. An analysis of the historic agreement between presidents Carles Puigdemont and Pedro Sánchez.


What can you find in this website In Catalan

Personal. Here you will find my curriculum (in abridged and complete version), some interviews in several languages that other media have made to me, a selection of photographs, basically related to the work, a space with some curiosities, personal and professional, that maybe you will enjoy, and the access to my personal blog, Mails per a Hipàtia.


VilaWeb. Of all the many things I have done in this life, I am sure that the one that will remain as the most important is VilaWeb, the newspaper that Assumpció Maresma and I started in 1995. That’s why I dedicate a section of my own to it. Here you will find a historical selection of the editorial article I write every day, which I believe has the value above all to respond to those who cyclically decide that I am this or that: I am only what I write.

You will also find the text “How we have made VilaWeb“, an article that Assumpció and I wrote on the occasion of the celebration of the twenty-fifth anniversary of the newspaper and that gives some of the keys to explain the success and the shortcomings of this one.

And finally “És l’hora d’alçar barris a Internet“, a text from 1995 that could be considered in some way as the initial manifesto and that, evidently, should be read with the eyes of that moment.


Journalism. This section is the one that contains more materials. And the one with more organizational complexity.

In “Els grans temes” I make a review of great themes that have occupied my work over the years -obsessions, as if we would say.

A first topic is that of Opinion.

I have had to do much more opinion than I would have liked to do and than I would normally do. But things are the way they are and here I try to reflect opinions made in different media and on different subjects. Obviously there is the editorial of VilaWeb, but you can also find the opinions that I wrote regularly in El Temps or La Vanguardia in the late eighties and early nineties. And also the analysis of international politics that I did on a daily basis for many years at El Punt -which is the job that I have most enjoyed and enjoyed doing in my life. There are not all the articles, it would be an unbearable task for me to compile them all, but the sample is enough. I have given my opinion in some other publications as well, but in a very sketchy and anecdotic way, so I consider that with these examples there is enough to reflect who I am.

The second of these great themes is Interviews.

I am not a great interviewer nor have I ever distinguished myself in this field. But due to circumstances I’ve done some that have marked me and I’ve been excited to share them. One especially important for me is the interview I did with Salva Enguix to Joan Fuster for La Vanguardia, which was published on October 6, 1991. With that interview Fuster, the person who can be considered the most important contemporary Catalan intellectual and undoubtedly the most influential in my education, broke many years of silence. The memory of that very long evening at his house will always accompany me in a very special way.

The third of the great themes are the reporting job, both national and international.

As a reporter I have worked mostly abroad, but nevertheless I have taken some national reports that I think may be of interest. Among them the story of how the intelligence unit of the Catalan police chased Younes Abouyaaqoub and found him in a hundred hours, after the Barcelona attack in 2017. (In English: One hundred hours chasing Younes) This is the most intense journalistic work I think I have ever done in my life because of the difficulty of the sources. I worked on it for almost a year, step by step, until I managed to publish this story, which explains some things that no one has ever explained before. It is also very special, because it is emotional, the story of the return of President Puigdemont to Catalonia. I had the good fortune that he invited me to accompany him in the car that took him to Perpinyà on February 28, 2020, with which I was able to experience the story firsthand.

t was not the first time it had happened to me. As a foreign affairs reporter I have seen episodes in four continents that are already part of the history books and that is why, in this section of International Reporting, there are texts, videos and many things related to those moments that I was so lucky to be able to relate to the readers or viewers. Since the fall of the Berlin Wall or the end of the Soviet Union or the apartheid in South Africa. From the revolt of the Chinese students in Tiananmen to the recent revolution in Hong Kong, through the beginnings of Palestinian autonomy, various elections in the United States, conflicts such as those in Kurdistan or the secessionist republics in countries like Moldova or Georgia, as well as wars like the one in the Balkans. And of course all kinds of other events in Europe.


Altres mitjans is a section where I include a sample of my work in other media.

Here you will find El Temps (both with opinion articles, as with “Focus” a special current affairs section of which I was the creator and which represented a revolution in the way topics were presented, or the pioneer El Temps Online), Diari de Barcelona (where I first worked as a correspondent in València and later in the Barcelona newsroom), La Vanguardia, El Punt (where I have done everything: opinion articles, analysis of international politics, sports commentaries in L’Esportiu or La Pissarreta, a television program that became very popular, in ElPuntAvui TV) or Berria and Nós Diario, Basque and Galician-Portuguese newspapers with which VilaWeb has a very special relationship. And also a collection of the radio program L’Internauta, which I started at Catalunya Ràdio with Jordi Vendrell in 1995 and which I had to follow by myself for a few years after his death, first on radio and then on video at VilaWeb. Unfortunately there is no archive of the first years of the program on the radio. It would be very important because all the beginning of the Internet in the Catalan Countries went through there. You will find also a sample of the videos I made around the world during my time as reporter for TVE.


The section also includes a document that I have titled “Some criteria” and that is a kind of applied summary of my journalistic thinking. I started to write this document in the middle of the eighties as a proposal for a style book for El Temps, but I have continued to update it throughout my life, without it having been adopted by any media. I think it can be interesting because of the reflections it contains. In this sense I have also included the text “Elogi de la complexitat“, which I think complements it well.

This Great Themes section is completed by some conferences on video about journalism that I have given over the years, in Catalan or English, and the link to the European Journalism Centre, the European organization in which I have worked since the nineteen-eighties and of which I am now the Chairman of the Board.


Llibres, as its name indicates, presents the books I have written. Both the volumes of which I am the author and those in which I have written the foreword. I have not put the collective books in which I have collaborated, the list of which, however, can be found in the complete version of my curriculum.


Conferències. Finally I have grouped some of my lectures in video. By themes. On journalism, on culture, on internet or on politics and I have also grouped some of the ones I have done in English on different subjects.


https://vimeo.com/8762095
This is a video of which I am particularly proud. I made it for TVE in the days following the fall of the Berlin Wall. It is therefore from 1989. But I made it already then practically without descriptive voices. I think it was a very interesting experiment in reportage.
Between Brexit and the 2019 Global Revolt. Lecture at Stanford University. 2020
https://youtu.be/IIpGiKsdAAc?t=12436
An interview with Russia Today about the arrest of Julian Assange
About languages and media. Cardiff. 2012
An interview for Croatian national television HRT about the situation in Catalonia